We all have loads of gear. Take one look around the garage or office of any action sports worker and you’ll find a pile of equipment. We’ve all got solutions to tame the clutter, but few of them look as good as Turnstone’s new Limited-Edition Bivi Board Rack.
A division of SteelCase, Turnstone offers sustainable designed, modular and modern office furniture and accessories. The Bivi line encompasses everything from desks and privacy screens to desk chairs and couches. The board rack is made to work congruently with the existing Bivi line, but it can also be mounted solo on a wall.
With three slots for board storage, the rack can hold an equal amount of mounted skateboards or snowboards. If you’re a deck collector, however, it will probably top out at nine or ten boards depending on the width of the boards and if you choose to add the rubber shelf protectors.
Available in arctic white, platinum, tangerine, wasabi, and midnight metallic, this thing looks right at home next to pieces from George Nelson or Charles and Ray Eames. The rack has a $219 price tag, but for hose who appreciate good design the biggest problem may be in not buying the entire Bivi office suite to go with it.
What better way to ring in the holiday season than with The Gonz decorated Christmas tree and Snoop there to wreck the place with his cane. #bahhumbizzle
Stance apparently wasn’t happy simply supplying socks for sweaty skate dudes. Nope. They’ve reportedly hooked up the ladies as well.
The collection takes inspiration from both the runway and the streets. Intricate beading, fringe detailing, studs and fun prints can all be found in the collection. Right away, you’ll notice that these aren’t your everyday socks! . . Stance is truly changing the way we view socks.
There is nothing better than free money and the most popular way to round up small amounts of cash these days appears to be Kickstarter. The craftsmen at Bean Snowboards in Boston, Mass would like to continue with their “very limited Artist Series” of handmade snowboards, but they don’t have money. That’s where you come in.
We work with local artists to produce unique snowboards showcasing their design and then have a party/gallery showing to spread the word about their art and give them an opportunity to sell other works. This year we just don’t have the capital to do the Artist Series so we’re turning to the Kickstarter community to help us fund it.
If you’re going to support someone it might as well be guys who are making snowboards with American-made materials in America. Right? Click here to buy in.
Not that we’re interested in continuing this whole “Weezy becomes a skateboarder” thing, but Lil Wayne makes some more sense in this interview with MTV. It’s a reminder that you don’t sell all those records by not knowing what’s up. Like the man says, “Skateboarding is its own world and I want to vital in that world.”
Large companies often make seriously idiotic decisions. For instance, when Nike bought surf brand Hurley back in 2002 someone at the company decided that even though they had a solid surf brand, they would also dive into surf category with the Nike brand and compete directly with the company they just bought. Well, those days are reportedly over according to a story on Shop-Eat-Surf.
Nike is announcing this morning it will exit the surf category for the Nike brand and roll all surf resources under the Hurley umbrella, including Nike’s marquee young surf team riders like Julian Wilson, Carissa Moore and Kolohe Andino. . . . Going forward, Nike will focus Nike action sports on skateboarding and snowboarding, a company spokeswoman said.
Nike has done quite well in skateboarding, but we’ll bet their snowboarding efforts will continue moving in a direction very similar to their surf work. Then again, maybe they could buy an established snowboard brand. Hmmm, anyone know any recently streamlined companies with a strong last name and great brand recognition?
Jenkem Mag has a great essay from Lurper on how corporations are taking over skateboarding and what that means to skateboarders and skateboarding. And it includes nuggets like this:
As George Ritzer points out in The McDonaldization of Society, businesses attempt to operate in an extremely efficient fashion. They focus on making everything quantifiable (skatemetrics) rather than focusing on creating subjective quality (“best” video part), they want everything to be predictable (i.e. standardized, the same experience every time), and they want all aspects of a business or activity to be easily controlled, basically the antithesis of what skateboarding is today. As the corporation’s values become more and more apart of skateboarding and influence the ideologies of individual skaters, the greater the potential that our activity will fundamentally change.
Kind of puts skateboarding business in perspective doesn’t it? If you have time, read the rest.
Supreme gets the big, old media treatment with a profile by the New York Times‘ Alex Williams. Sure, it’s full of many of the normal comments regarding boutique skate shops. . .
Huge lines, once endemic to its New York flagship in SoHo, now form at satellite stores in Los Angeles, London, Tokyo and other cities. The current issue of British GQ Style, a men’s fashion bible, hails Supreme as “the coolest street wear brand in the world right now.” And the Berlin culture magazine O32c called it “the Holy Grail of high youth street culture.” The Business of Fashion site called it “the Chanel of downtown street wear.”
But the piece also gets in with the story behind James Jebbia, the brand he launched 18 years ago, and why it hasn’t been completely blown out into big box stores. And those stories are always good.
Desillusion Magazine, the beautifully over-done print magazine (that is everything Monster Children dreams of one day becoming) teamed with with Analog and Alien Workshop to produce This Is Dylan— A 10 minute gaze into the life and time of Dylan Rieder.
At only 24, Dylan’s name is already well engraved in the history of skateboarding, thanks to his style, his personality and his incredible gift; that of skating fast and skating well.The skateboard mag voted him as 2006’s years best am award, but since then he turned pro, came out with an insane part in Mind Field, and has been blowing minds with his steely tricks all across the world. After a rather tormented period, where he tasted the dark side of street life, and where he found himself literally catapulted to the front of the scene, Dylan got back up again, brushed himself off and with incredible maturity, imposed his own style, a style which quickly turned him into an icon for an entire generation of skateboarders.